{"id":41489,"date":"2026-02-25T11:13:50","date_gmt":"2026-02-25T11:13:50","guid":{"rendered":"https:\/\/financialrush.com\/?p=41489"},"modified":"2026-02-25T11:13:50","modified_gmt":"2026-02-25T11:13:50","slug":"loie-hollowell-is-turning-motherhood-into-cosmic-energy","status":"publish","type":"post","link":"https:\/\/financialrush.com\/?p=41489","title":{"rendered":"Loie Hollowell is turning motherhood into \u2018cosmic energy\u2019"},"content":{"rendered":"<p> \n<\/p>\n<div id=\"article-body\">\n<p>\u201cI\u00a0want there to be more exhibits about mothering,\u201d says Loie Hollowell. An hour into our conversation, the New York-based painter is becoming more animated. We\u2019ve got on to the subject of the artists whose work she\u2019s been drawn\u00a0to, such as Swedish feminist Monica Sj\u00f6\u00f6 and her controversial 1960s canvas <em>God Giving Birth<\/em>. \u201cMy dream is to create an\u00a0exhibition of visceral birth images, blood\u00a0everywhere,\u201d says Hollowell, a mother of two, laughing giddily. \u201cI have proposed it in different ways. No one has\u00a0taken me up on it yet. I\u2019m kind of joking, but I\u2019m not joking.\u201d\u00a0<\/p>\n<p><a href=\"https:\/\/www.loiehollowell.com\/\" title=\"\" data-trackable=\"link\">Hollowell\u2019s own paintings<\/a>, being shown\u00a0at Pace gallery in London next month, are\u00a0more vibrational than visceral. She describes the work she started making\u00a0more than a decade ago as \u201cbodily abstractions about my sexuality\u201d. They\u2019ve since evolved to encompass her experiences of pregnancy, childbirth and breastfeeding in compositions that are both intensely precise in their graphic symmetry and playfully suggestive in their placement of organic forms. Wrought in a spectrum of kaleidoscopic colours, they appear to exude a kind of cosmic energy.\u00a0<\/p>\n<figure id=\"khxhqlbg\" class=\"n-content-image n-content-image--full\" data-component=\"image-set\"><picture><source media=\"(min-width: 700px)\" srcset=\"https:\/\/images.ft.com\/v3\/image\/raw\/ftcms%3A3f8741e1-bf9d-4e94-9ed8-b0f899feecc9?source=next-article&amp;fit=scale-down&amp;quality=highest&amp;width=700&amp;dpr=1 1x,https:\/\/images.ft.com\/v3\/image\/raw\/ftcms%3A3f8741e1-bf9d-4e94-9ed8-b0f899feecc9?source=next-article&amp;fit=scale-down&amp;quality=highest&amp;width=700&amp;dpr=2 2x,https:\/\/images.ft.com\/v3\/image\/raw\/ftcms%3A3f8741e1-bf9d-4e94-9ed8-b0f899feecc9?source=next-article&amp;fit=scale-down&amp;quality=highest&amp;width=700&amp;dpr=3 3x\" width=\"2200\" height=\"1467\"\/><\/picture><figcaption class=\"n-content-picture__caption o3-editorial-typography-caption\"><span>A body cast of a friend in their third trimester alongside artwork by Loie Hollowell\u2019s children in her\u00a0Brooklyn studio<\/span><span> <!-- -->\u00a9 Jeremy Liebman<\/span><\/figcaption><\/figure>\n<p>It\u2019s a heady combination that has swiftly propelled the 43-year-old to art star status. She has been represented by Pace since 2019; her work has been acquired by institutions including the Centre Pompidou in Paris and\u00a0the Hirshhorn Museum in Washington DC; and several pieces have attracted auction sales in seven figures \u2013 her <a href=\"https:\/\/www.sothebys.com\/en\/buy\/auction\/2023\/contemporary-evening-auction\/loie-hollowell-luo-yihuo-luo-wei-er-standing-in\" title=\"\" data-trackable=\"link\"><em>Standing in Red<\/em><\/a> sold for $2.29mn at Sotheby\u2019s Hong Kong in 2023.\u00a0<\/p>\n<p>\u201cWhen I first saw her work, I just flipped out,\u201d recalls Pace CEO Marc Glimcher. \u201cI\u00a0walked into her studio and it was like [seeing] the reincarnation of Hilma af Klint or Georgia O\u2019Keeffe, combined with a sensibility that <a href=\"https:\/\/www.ft.com\/content\/477369ea-0870-11e5-85de-00144feabdc0\" title=\"\" data-trackable=\"link\">resonates with Robert Irwin<\/a>. She just knows how to switch on\u00a0these systems of bliss and awe.\u201d\u00a0<\/p>\n<blockquote class=\"n-content-pullquote o3-editorial-typography-pullquote n-content-pullquote--no-image\" aria-hidden=\"true\">\n<p>My dream is to create an\u00a0exhibition of visceral birth images, blood\u00a0everywhere<\/p>\n<footer class=\"o3-editorial-typography-pullquote__author\">Loie Hollowell<\/footer>\n<\/blockquote>\n<p>At her Brooklyn studio, a brightly patterned head scarf pulling back her dark blonde hair, Hollowell is putting the final touches to works that will be the\u00a0focus of the London show. The process is painstaking, blending colour gradients with\u00a0tiny brushes. \u201cThese paintings very much started with the birth of my children [Lyndon, seven, and Juniper, five] and have\u00a0ended\u00a0in me really trying to find a\u00a0phenomenological light experience for the viewer,\u201d she explains.\u00a0<\/p>\n<div class=\"n-content-layout\" data-layout-width=\"full-grid\">\n<figure id=\"haacjgku\" class=\"n-content-picture n-content-picture--wide n-content-layout__container\" data-component=\"image-set\"><picture><source media=\"(max-width: 490px)\" srcset=\"https:\/\/images.ft.com\/v3\/image\/raw\/ftcms%3A5b232262-c8f6-4ebc-a161-04e399b18638?source=next-article&amp;fit=scale-down&amp;quality=highest&amp;width=490&amp;dpr=1 1x,https:\/\/images.ft.com\/v3\/image\/raw\/ftcms%3A5b232262-c8f6-4ebc-a161-04e399b18638?source=next-article&amp;fit=scale-down&amp;quality=highest&amp;width=490&amp;dpr=2 2x,https:\/\/images.ft.com\/v3\/image\/raw\/ftcms%3A5b232262-c8f6-4ebc-a161-04e399b18638?source=next-article&amp;fit=scale-down&amp;quality=highest&amp;width=490&amp;dpr=3 3x,https:\/\/images.ft.com\/v3\/image\/raw\/ftcms%3A5b232262-c8f6-4ebc-a161-04e399b18638?source=next-article&amp;fit=scale-down&amp;quality=highest&amp;width=490&amp;dpr=4 4x\" width=\"2200\" height=\"1467\"\/><source media=\"(min-width: 980px)\" srcset=\"https:\/\/images.ft.com\/v3\/image\/raw\/ftcms%3Ad18f6d13-bb0b-46a2-8691-9f6665692efc?source=next-article&amp;fit=scale-down&amp;quality=highest&amp;width=1200&amp;dpr=1 1x\" width=\"2200\" height=\"1467\"\/><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/images.ft.com\/v3\/image\/raw\/https%3A%2F%2Fd1e00ek4ebabms.cloudfront.net%2Fproduction%2F7f20eea3-b7e9-4bc3-86c9-253ed7fe8fe2.jpg?source=next-article&amp;fit=scale-down&amp;quality=highest&amp;width=700&amp;dpr=1\" alt=\"Hollowell beside Overview Effect in blue with small blue mandorla, 2025\" data-image-type=\"image\" width=\"2200\" height=\"1467\" loading=\"lazy\"\/><\/picture><figcaption class=\"n-content-picture__caption o3-editorial-typography-caption\"><span>Hollowell beside Overview Effect in blue with small blue mandorla, 2025<\/span><span> <!-- -->\u00a9 Jeremy Liebman<\/span><\/figcaption><\/figure>\n<\/div>\n<div class=\"n-content-layout\" data-layout-name=\"auto\" data-layout-width=\"full-grid\">\n<div class=\"n-content-layout__container\">\n<div class=\"n-content-layout__slot\">\n<figure class=\"n-content-image n-content-image--full\" data-component=\"image-set\"><picture><source media=\"(min-width: 700px)\" srcset=\"https:\/\/images.ft.com\/v3\/image\/raw\/ftcms%3Ab0394cb5-956d-4e6f-a17e-655e98c09be0?source=next-article&amp;fit=scale-down&amp;quality=highest&amp;width=700&amp;dpr=1 1x,https:\/\/images.ft.com\/v3\/image\/raw\/ftcms%3Ab0394cb5-956d-4e6f-a17e-655e98c09be0?source=next-article&amp;fit=scale-down&amp;quality=highest&amp;width=700&amp;dpr=2 2x\" width=\"1601\" height=\"2400\"\/><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/images.ft.com\/v3\/image\/raw\/https%3A%2F%2Fd1e00ek4ebabms.cloudfront.net%2Fproduction%2Fb0394cb5-956d-4e6f-a17e-655e98c09be0.jpg?source=next-article&amp;fit=scale-down&amp;quality=highest&amp;width=700&amp;dpr=1\" alt=\"Nipple casts\u00a0in\u00a0various materials\" data-image-type=\"image\" width=\"1601\" height=\"2400\" loading=\"lazy\"\/><\/picture><figcaption class=\"n-content-picture__caption o3-editorial-typography-caption\"><span>Nipple casts\u00a0in\u00a0various materials<\/span><span> <!-- -->\u00a9 Jeremy Liebman<\/span><\/figcaption><\/figure>\n<\/div>\n<div class=\"n-content-layout__slot\">\n<figure class=\"n-content-image n-content-image--full\" data-component=\"image-set\"><picture><source media=\"(min-width: 700px)\" srcset=\"https:\/\/images.ft.com\/v3\/image\/raw\/ftcms%3Ae4f93136-1c9e-4036-b5f6-4094c83e0476?source=next-article&amp;fit=scale-down&amp;quality=highest&amp;width=700&amp;dpr=1 1x,https:\/\/images.ft.com\/v3\/image\/raw\/ftcms%3Ae4f93136-1c9e-4036-b5f6-4094c83e0476?source=next-article&amp;fit=scale-down&amp;quality=highest&amp;width=700&amp;dpr=2 2x\" width=\"1599\" height=\"2398\"\/><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/images.ft.com\/v3\/image\/raw\/https%3A%2F%2Fd1e00ek4ebabms.cloudfront.net%2Fproduction%2Fe4f93136-1c9e-4036-b5f6-4094c83e0476.jpg?source=next-article&amp;fit=scale-down&amp;quality=highest&amp;width=700&amp;dpr=1\" alt=\"Clockwise from top left: Luncheon on the Grass, 2022; Untitled; Dripping, drooping #2, 2025; Dripping, drooping #1, 2025; Untitled\" data-image-type=\"image\" width=\"1599\" height=\"2398\" loading=\"lazy\"\/><\/picture><figcaption class=\"n-content-picture__caption o3-editorial-typography-caption\"><span>Clockwise from top left: Luncheon on the Grass, 2022; Untitled; Dripping, drooping #2, 2025; Dripping, drooping #1, 2025; Untitled<\/span><span> <!-- -->\u00a9 Jeremy Liebman<\/span><\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<p>The series is centred on mirrored oval forms, one concave, one convex, protruding out from and sunken into the canvas. It was Hollowell\u2019s husband \u2013 fellow artist Brian Caverly \u2013 who first came up with the configuration. \u201cThen after I had Lyndon, I\u00a0realised that it really spoke to that experience of being pregnant and then being empty,\u201d she says. \u201cIf the piece was folded in half it would perfectly fit into itself, like mother and child.\u201d\u00a0<\/p>\n<p>Hollowell was in her third trimester with\u00a0Lyndon when she began to experiment with sculptural elements. \u201cGetting pregnant threw off my practice in a destabilising way,\u201d she says. \u201cThe physical change sent everything into chaos. I\u00a0realised my work\u00a0had to change.\u201d She started taking casts of her body, and then of her pregnant friends\u2019 bodies \u2013 \u201ctheir breasts, their nipples, their bellies\u201d \u2013 and incorporating them into her canvases.\u00a0<\/p>\n<figure id=\"fcsmmzww\" class=\"n-content-image n-content-image--full\" data-component=\"image-set\"><picture><source media=\"(min-width: 700px)\" srcset=\"https:\/\/images.ft.com\/v3\/image\/raw\/ftcms%3Ae0e0252d-619f-4e1b-bd77-66517e2c70f1?source=next-article&amp;fit=scale-down&amp;quality=highest&amp;width=700&amp;dpr=1 1x,https:\/\/images.ft.com\/v3\/image\/raw\/ftcms%3Ae0e0252d-619f-4e1b-bd77-66517e2c70f1?source=next-article&amp;fit=scale-down&amp;quality=highest&amp;width=700&amp;dpr=2 2x\" width=\"1601\" height=\"2400\"\/><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/images.ft.com\/v3\/image\/raw\/https%3A%2F%2Fd1e00ek4ebabms.cloudfront.net%2Fproduction%2Fe0e0252d-619f-4e1b-bd77-66517e2c70f1.jpg?source=next-article&amp;fit=scale-down&amp;quality=highest&amp;width=700&amp;dpr=1\" alt=\"Hollowell with her cat Felix. Behind them is Mother\u2019s milk in mauve, red, yellow and blue, 2025\" data-image-type=\"image\" width=\"1601\" height=\"2400\" loading=\"lazy\"\/><\/picture><figcaption class=\"n-content-picture__caption o3-editorial-typography-caption\"><span>Hollowell with her cat Felix. Behind them is Mother\u2019s milk in mauve, red, yellow and blue, 2025<\/span><span> <!-- -->\u00a9 Jeremy Liebman<\/span><\/figcaption><\/figure>\n<p>Two of Hollowell\u2019s favourite belly-cast paintings were shown last year in a group exhibition titled <a href=\"https:\/\/www.centraalmuseum.nl\/en\/now\/exhibitions\/good-mom-bad-mom\" title=\"\" data-trackable=\"link\"><em>Good Mom\/Bad Mom<\/em><\/a> at Centraal Museum in Utrecht. \u201cIt was full of\u00a0amazing images of motherhood and parenting,\u201d she says. \u201cIt\u2019s just not the kind of art I was exposed to growing up.\u201d\u00a0<\/p>\n<p>Not to say that Hollowell\u2019s childhood was especially conventional. She was raised in\u00a0northern California, surrounded by a predominantly \u201chippie aesthetic: lots of Grateful Dead posters and psychedelic imagery\u201d. She was named Loie after her grandma, Lois, but also in a nod to an American pioneer of modern dance. \u201cLoie Fuller invented this burlesque kind of performance, swirling big silk fabrics and incorporating lights,\u201d says Hollowell of her namesake. \u201cShe was painted by Toulouse Lautrec. Rodin was obsessed with her.\u201d\u00a0<\/p>\n<blockquote class=\"n-content-pullquote o3-editorial-typography-pullquote n-content-pullquote--no-image\" aria-hidden=\"true\">\n<p>Those are nipples there, squirting out milk<\/p>\n<footer class=\"o3-editorial-typography-pullquote__author\">Loie Hollowell<\/footer>\n<\/blockquote>\n<p>Both of Hollowell\u2019s parents are artists. She describes her dad as \u201ca pointillist painter; a master realist. When I was young, he painted images of my mom and us in very composed, constructed rooms.\u201d Her mother, meanwhile, is \u201can all-around creative person. She did cartoons for the local newspaper. She sewed a lot.\u201d This, and her mother\u2019s general \u201cpsychedelic-ness\u201d, inspired her own creative path. At art\u00a0school, Hollowell made \u201cbig sculptural fabric things\u201d until she came to the conclusion \u201cthat painting was the most clear way to describe my feminist vision\u201d.\u00a0<\/p>\n<div class=\"n-content-layout\" data-layout-name=\"auto\" data-layout-width=\"full-grid\">\n<div class=\"n-content-layout__container\">\n<div class=\"n-content-layout__slot\">\n<figure class=\"n-content-image n-content-image--full\" data-component=\"image-set\"><picture><source media=\"(min-width: 700px)\" srcset=\"https:\/\/images.ft.com\/v3\/image\/raw\/ftcms%3A9ddb82d8-8a8f-46f2-842b-deac649bf4fc?source=next-article&amp;fit=scale-down&amp;quality=highest&amp;width=700&amp;dpr=1 1x,https:\/\/images.ft.com\/v3\/image\/raw\/ftcms%3A9ddb82d8-8a8f-46f2-842b-deac649bf4fc?source=next-article&amp;fit=scale-down&amp;quality=highest&amp;width=700&amp;dpr=2 2x\" width=\"1599\" height=\"2398\"\/><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/images.ft.com\/v3\/image\/raw\/https%3A%2F%2Fd1e00ek4ebabms.cloudfront.net%2Fproduction%2F9ddb82d8-8a8f-46f2-842b-deac649bf4fc.jpg?source=next-article&amp;fit=scale-down&amp;quality=highest&amp;width=700&amp;dpr=1\" alt=\"Soft pastels in the artist\u2019s cart\" data-image-type=\"image\" width=\"1599\" height=\"2398\" loading=\"lazy\"\/><\/picture><figcaption class=\"n-content-picture__caption o3-editorial-typography-caption\"><span>Soft pastels in the artist\u2019s cart<\/span><span> <!-- -->\u00a9 Jeremy Liebman<\/span><\/figcaption><\/figure>\n<\/div>\n<div class=\"n-content-layout__slot\">\n<figure class=\"n-content-image n-content-image--full\" data-component=\"image-set\"><picture><source media=\"(min-width: 700px)\" srcset=\"https:\/\/images.ft.com\/v3\/image\/raw\/ftcms%3Ac22fc43a-ef53-4d2f-8b96-8ca35146a97a?source=next-article&amp;fit=scale-down&amp;quality=highest&amp;width=700&amp;dpr=1 1x,https:\/\/images.ft.com\/v3\/image\/raw\/ftcms%3Ac22fc43a-ef53-4d2f-8b96-8ca35146a97a?source=next-article&amp;fit=scale-down&amp;quality=highest&amp;width=700&amp;dpr=2 2x\" width=\"1599\" height=\"2398\"\/><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/images.ft.com\/v3\/image\/raw\/https%3A%2F%2Fd1e00ek4ebabms.cloudfront.net%2Fproduction%2Fc22fc43a-ef53-4d2f-8b96-8ca35146a97a.jpg?source=next-article&amp;fit=scale-down&amp;quality=highest&amp;width=700&amp;dpr=1\" alt=\"Overview Effect in blue with small blue mandorla, 2025\" data-image-type=\"image\" width=\"1599\" height=\"2398\" loading=\"lazy\"\/><\/picture><figcaption class=\"n-content-picture__caption o3-editorial-typography-caption\"><span>Overview Effect in blue with small blue mandorla, 2025<\/span><span> <!-- -->\u00a9 Jeremy Liebman<\/span><\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<p>Her New York studio is white-walled and workmanlike. Shelves are filled with row upon row of plaster casts. Slick steel sets of drawers open to reveal a sweet-shop-like selection of pastels, which she uses to create works on paper. The London show will feature pieces from the past 10 years.<\/p>\n<p>\u201cWe had a pastel show [in New York] two years ago, and we had to kick people out almost every day,\u201d says Glimcher of\u00a0<a href=\"https:\/\/www.pacegallery.com\/exhibitions\/loie-hollowell-dilation-stage\/\" title=\"\" data-trackable=\"link\"><em>Dilation Stage<\/em><\/a>, a presentation of 10 drawings depicting Hollowell\u2019s pregnant belly. \u201cThe most remarkable thing about a\u00a0Loie Hollowell show is that people sit and\u00a0stay for a long time. I have a Loie from every period of Loie, and I spend time in front of them every single day.\u201d<\/p>\n<p>For Hollowell, there are two distinct sides to her practice: the more abstract, \u201cself-possessed\u201d paintings, and then \u201cthis more didactic body work, like the cast bellies\u201d, she says. \u201cI haven\u2019t figured out how\u00a0they go together yet.\u201d\u00a0<\/p>\n<figure id=\"djijkdjb\" class=\"n-content-image n-content-image--full\" data-component=\"image-set\"><picture><source media=\"(min-width: 700px)\" srcset=\"https:\/\/images.ft.com\/v3\/image\/raw\/ftcms%3A190749aa-7427-44d1-821c-0d0a898b1aa9?source=next-article&amp;fit=scale-down&amp;quality=highest&amp;width=700&amp;dpr=1 1x,https:\/\/images.ft.com\/v3\/image\/raw\/ftcms%3A190749aa-7427-44d1-821c-0d0a898b1aa9?source=next-article&amp;fit=scale-down&amp;quality=highest&amp;width=700&amp;dpr=2 2x,https:\/\/images.ft.com\/v3\/image\/raw\/ftcms%3A190749aa-7427-44d1-821c-0d0a898b1aa9?source=next-article&amp;fit=scale-down&amp;quality=highest&amp;width=700&amp;dpr=3 3x\" width=\"2200\" height=\"1467\"\/><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/images.ft.com\/v3\/image\/raw\/https%3A%2F%2Fd1e00ek4ebabms.cloudfront.net%2Fproduction%2F190749aa-7427-44d1-821c-0d0a898b1aa9.jpg?source=next-article&amp;fit=scale-down&amp;quality=highest&amp;width=700&amp;dpr=1\" alt=\"Untitled works in progress\" data-image-type=\"image\" width=\"2200\" height=\"1467\" loading=\"lazy\"\/><\/picture><figcaption class=\"n-content-picture__caption o3-editorial-typography-caption\"><span>Untitled works in progress<\/span><span> <!-- -->\u00a9 Jeremy Liebman<\/span><\/figcaption><\/figure>\n<p>On the wall of her studio office she points out \u201ca few little nipple experiments that I\u2019m rotating\u201d, as well as some of her own drawings and studies, and pieces by friends. These include a small\u00a0textural painting by Montreal-based Veronika Pausova \u2013 \u201cthose are nipples\u00a0there, squirting out\u00a0milk\u201d \u2013 says Hollowell, before moving on to a delicate surreal drawing by Dutch artist Kinke Kooi\u00a0and a mystical piece by the Chinese artist Shuling Guo.\u00a0<\/p>\n<aside aria-labelledby=\"aside-label\" class=\"n-content-recommended--single-story n-content-recommended--inset\" data-component=\"recommended\">\n<p class=\"n-content-recommended__title o3-type-body-highlight\">Recommended<\/p>\n<div class=\"o-teaser o-teaser--article o-teaser--small o-teaser--stacked o-teaser--has-image js-teaser\" data-id=\"f938f6c9-ba6b-4995-90e7-c71f35126412\">\n<div class=\"o-teaser__image-container js-teaser-image-container\"><a href=\"https:\/\/www.ft.com\/content\/f938f6c9-ba6b-4995-90e7-c71f35126412\" data-trackable=\"image-link\" data-trackable-context-story-link=\"image-link\" tabindex=\"-1\" aria-hidden=\"true\"><\/p>\n<div class=\"o-teaser__image-placeholder\" style=\"aspect-ratio:2302\/1295\"><img decoding=\"async\" class=\"o-teaser__image\" src=\"https:\/\/www.ft.com\/__origami\/service\/image\/v2\/images\/raw\/https%3A%2F%2Fimages.ft.com%2Fv3%2Fimage%2Fraw%2Fhttps%253A%252F%252Fd1e00ek4ebabms.cloudfront.net%252Fproduction%252F00b427c1-9201-4b56-bc6c-0797e0414c08.jpg%3Fsource%3Dnext-article%26fit%3Dscale-down%26quality%3Dhighest%26width%3D700%26dpr%3D1?source=next&amp;fit=scale-down&amp;dpr=2&amp;width=240\" alt=\"Nashashibi sitting in front of\u00a0(from left) Palestine, c.\u00a01950, 2025, and\u00a0Let\u2019s Hide\u00a0in\u00a0Bed, 2025\"\/><\/div>\n<p><\/a><\/div>\n<\/div>\n<\/aside>\n<p>\u201cIt\u2019s a collection of all my favourite artists,\u201d says Hollowell, who also has a\u00a0sizeable selection on display at her home,\u00a0a\u00a0small townhouse less than a mile\u00a0from her studio that she refers to as \u201cthe nest\u201d.\u00a0\u201cI\u00a0make colourful, minimal abstractions, but what I want to live with are these sweet, feminine, soft, expressive paintings.\u201d Her most treasured pieces are\u00a0kept at the studio for daily inspiration \u2013 plus \u201cI don\u2019t want the kids to destroy them\u201d, she smiles. Motherhood is a messy\u00a0business, after all.\u00a0<\/p>\n<p><a href=\"https:\/\/www.pacegallery.com\/exhibitions\/loie-hollowell-overview-effect\/\" title=\"\" data-trackable=\"link\"><em>Loie Hollowell: Overview Effect<\/em><\/a><em> is at Pace Gallery, London WI, from 4 March to 23 May<\/em><\/p>\n<\/div>\n\n<br \/><a href=\"https:\/\/www.ft.com\/content\/48d02a84-4e52-4722-a2b9-5a9d2ca8765a\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"\u201cI\u00a0want there to be more exhibits about mothering,\u201d says Loie Hollowell. An hour into our conversation, the New&hellip;\n","protected":false},"author":5,"featured_media":41490,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[],"class_list":["post-41489","post","type-post","status-publish","format-standard","has-post-thumbnail","category-us","cs-entry","cs-video-wrap"],"_links":{"self":[{"href":"https:\/\/financialrush.com\/index.php?rest_route=\/wp\/v2\/posts\/41489","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/financialrush.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/financialrush.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/financialrush.com\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/financialrush.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=41489"}],"version-history":[{"count":0,"href":"https:\/\/financialrush.com\/index.php?rest_route=\/wp\/v2\/posts\/41489\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/financialrush.com\/index.php?rest_route=\/wp\/v2\/media\/41490"}],"wp:attachment":[{"href":"https:\/\/financialrush.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=41489"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/financialrush.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=41489"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/financialrush.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=41489"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}